Thursday, July 31, 2014

Make Way For The Smoke Bombs!


The Smoke Bombs smash and grab fistfuls of British Street Punk in one hand and early 1980’s Southern California hardcore in the other. They then take it to an old abandoned warehouse downtown where they mix it up and add some secret ingredients. They then stuff some ping pong balls full of it and create a device that emits a dense, hard hitting brand of punk rock into the atmosphere immediately upon ignition. They hurl these handmade concoctions at unsuspecting audiences and it causes the foundation beneath the arid desert floors to quake. So remove any loose articles of clothing and strap your shoes on tight, The Smoke Bombs have arrived and the room you’re in is about to turn upside down!

This interview originally appeared in Audio Ammunition on July 21st, 2014

Interview by J Castro


Introductions! Please tell us who you all are and what’s your function in The Smoke Bombs:
LAYTON: Lead Vocals, Rhythm Guitar

BRANDON: I’m Brandon Meunier and I play guitar in The Smoke Bombs.

JASON: Jason Stone - Drummer/Cheerleader

TODD: Todd Joseph: Bass


What’s the conception story of The Smoke Bombs? How did you all meet and decide to play music together?
LAYTON: Bored with my last band Asses of Evil. I wanted to start something different. I got Jason our drummer and Todd from AOE. Jason suggested Brandon for lead guitar. I knew him from his work as a guitar salesman, and liked him a lot. Never had heard him play but hired him over the phone because I liked him, turned out pretty well.

BRANDON: I met Jason (our drummer) through work. I told him I was looking for another band. A few weeks later he was asking if I’d like to try out with Layton and Todd.

JASON: My world changed in like a 30 day period, got fired from a band, lost my wife, son, house and my studio in one big fat Fuck You from the World. I ate as many pills as I could afford, apparently not enough? Next Day, I got a call from Layton to start something new.

TODD: Layton and I were in the Asses of Evil and then split and formed The Smoke Bombs in the wake of the Asses.


When I hear your music, I get a street punk vibe. I can hear elements of Cocksparrer, Sham 69, and Stiff Little Fingers. Were any of these bands influences to you guys growing up and do you remember who got you into punk rock in the first place?
LAYTON: I am not so much into those bands as much. Brandon really likes that kind of stuff. I like the 80’s southern California stuff, Circle Jerks, Descendents etc. I also was a huge fan of Todd’s first band Junior Achievement, as well as all the great hardcore bands in Arizona like JFA, Mighty Sphincter, Soylent Greene, Conflict etc.

BRANDON: Yes it’s a huge influence for me even still. Those are three of my favorite bands of all times. No one really got me into it. Punk itself got me into it. With the few friends I had I was able to meet people who I’d trade music back and forth with. It’s been that way since day one.

JASON: Stiff Little Fingers for me. 1st punk band I was turned on to was Junior Achievement “TJ’s band from the 80’s.” I had an older guy next door to my parent’s house that was SICK and TIRED of hearing R.E.M.’s Green while I rode my skateboard. He charged over and said “TURN THAT SHIT OFF!!!!!!” I thought he was going to kick my ass! Instead he handed me Junior Achievements 12” and a cassette he already made.
I never looked back, that was 1985.

TODD: I grew up on The Clash, Generation X, The Damned, Sex Pistols, and SLF. I’m also a big CA punk fan: T.S.O.L, Social Distortion, Bad Religion, Adolescents, and Shattered Faith.


I see you guys play out fairly regularly, how would you describe the music scene in Phoenix/Tempe?
LAYTON: Too many bands. It seems like since Nirvana broke, and Guitar Centers were put up all over the place, everyone thinks they can do a punk band. I have been doing this since 84. It used to be that when an out of town band came through either JFA or Junior Achievement, ONS, would get a gig opening for a big band. Also everyone went to one show, wherever it was Tempe/Phoenix. Now there are too many shows competing against each other on the same nights for a dwindling amount of punk rockers.

JASON: Strong, easy to bash the scene but it’s easy to bash any scene. Phoenix is full of good people and it’s not hard to find them if you look & listen.

TODD: It’s pretty good! Good local bands to play with. The Clubs/Bars are pretty accepting of loud music. It could always be better, but it could also be a lot worse. When the weather gets cooler the scene gets better!


You guys are playing (and have played with) some pretty big names in punk. Some of your upcoming shows are with Rikk Agnew Band (Social Distortion, Christian Death, Adolescents, D.I.) and Eddie and The Hot Rods here in Tempe, AZ. How do you feel playing shows with such influential bands?
LAYTON: The best chance of getting a good draw is having a good headliner. These guys are just like us, but came together in the right time and place to get big. I don’t mean to say our music is as good as this classic stuff, but Todd and I talk and feel like if we were together in ‘84 playing Mad Gardens we would have gotten some notoriety, more than we get now.

BRANDON: It’s awesome!

JASON: Honestly, it’s just another show. The thrill is standing in the crowd watching the “influential” band. The bummer is after it’s over I have a car load of gear to take home. I like meeting the heroes / legends, I don’t take much seriously anymore so if the hero is an asshole, whatever.

TODD: I love it, that’s what I’ve always wanted to do. I’ve been able to play with The Bad Brains, Black Flag, Circle Jerks, T.S.O.L., Shattered Faith, Crucifix, Youth Brigade, on and on it’s always a blast!


Speaking of playing live, do you guys remember the worst show The Smoke Bombs ever played and tell me about what made it such a disaster?
LAYTON: Not really, all in all we have had some good shows. Weeknight shows are pretty pathetic. We have had some low turn out shows with Dime Runner, and Black Irish Texas which were weekday shows.

JASON: I played one high on cocaine, that didn't go so well, won’t do that again.
I like them all; we haven’t really had a disaster show. It would have to be pretty bad for me to call it a disaster. I like playing drums as long as nobody dies, it’s good.

TODD: Maybe the time we played with Scorpion vs. Tarantula up in Cottonwood. We played OK, but the crowd was weak. We had fun anyway, we always do.


What sorts of things typically influence your music? And can you remember the most unusual thing that inspired a song?
BRANDON: Lyrically: life, the day to day. Nothing is that unusual anymore really. Musically, it’s when I get around my gear I just want to hear it. I’ll start riffing around and that’s that.

JASON: A hot October Night. Hey, I’m just the drummer I follow along to what the boys write.

TODD: Most songs are spontaneous; they just come out with all of us adding our input.


I was watching an interview with Fat Mike and he was saying he regrets writing some of the early NOFX songs, he went on say that change of mind is a sign of intelligence. What do you think about that quote and have you ever written any songs you regretted later?
LAYTON: Not a NOFX fan. I know they come from the old school, but just never got into that kind of music. I can’t remember regretting anything I have written.

BRANDON: I think everyone regrets early material at some point. It doesn’t bother me really. I’ll reflect back on it and pull ideas out. It is what it is and it always makes you a better writer.

JASON: Not in this band….

TODD: Sure, but I don’t dwell on that. The more you write the more you improve. I don’t really regret anything; it’s all in good fun.


What sorts of things do you enjoy doing other than playing music, any hobbies or anything like that?
LAYTON: Hanging out by my pool drinking beer and listening to ‘80’s hard core.

BRANDON: Honestly this is all I do. I collect musical gear and listen to and write music.
Those are my main hobbies.

JASON: Skateboarding, Snowboarding, Bicycles I dig all that shit. Go fast and take chances.

TODD: Art, skateboarding, partying, picking up chicks, eating.


What are some records you like putting on that can guarantee to lift you up when life’s kicked you down?
LAYTON: I don’t know that music does that for me. I just listen to it when I fell like it. Toxic Reasons Kill by Remote Control comes to mind.

BRANDON: The Crack – In Search Of…

JASON: NOFX - The Decline, Freeze - Talking Bombs, Malignus Youth - ALL OF IT,
The Clash – Supermarket, AC/DC - Sink the Pink (Makes me Laugh every time)
William Shatner - Common People, U.S. Bombs - That’s Life, Frank Black & the Catholics - I Want Rock & Roll, Black President - Not Amused, Etta James - In the Basement, Alkaline Trio - Maybe I’ll Catch Fire, Plump Tones - Fire Chicken

TODD: Whatever I’m into at the moment. Right now, it’s The Horrors, Jason Isbell, Temples, Dum Dum Girls, and Drive-By Truckers.


What do the Smoke Bombs have in store for the remainder of 2014?
LAYTON: We just finished recording our first full length album. We’re getting the artwork together to have it pressed, should hit store shelves by fall.

BRANDON: New album coming out very soon and continuing to write more material.

JASON: New record coming VERY soon.

TODD: Finish our record, do a video for one of the songs, write new songs, play a few gigs, party!


Thursday, July 24, 2014

An Interview with The New Rochelles!


What makes a good pop punk band? Surely it’s not musical skill; The Ramones have been hounded for years over their technical simplicity and yet they remain kings. It most certainly isn’t lyrics; most pop punk bands use the simplest of words to describe everyday mundane events, love, hate and every emotion in between. What I feel makes a good pop punk band is the ability to emotionally throw yourself into your music, admitting imperfection, vulnerability, and most importantly, just have pure, unpolluted fun. Long Beach, NY’s, The New Rochelles take all of these qualities, stuff them into very loud amplifiers and blast it at you like confetti cannons. What makes most grownups so boring? Whatever it is listening to the New Rochelles will help in steering clear of it!

This interview originally appeared in Audio Ammunition on July 24th, 2014

Interview by J Castro


First off, who’s all in the band and what is everyone’s function in The New Rochelles?
RONNIE: I'm Ronnie Rochelle. I'm the singer and I play guitar.
RICKY: I’m Ricky; I play drums and sing backing vocals.
ROOKIE: I’m Rookie; I play bass.


How did you all meet and decide to play music together?
RONNIE: Ricky and I have been playing music since the dawn of time, we found Rookie on a street corner somewhere and he was eager to downstroke with us.


As kids, who or what inspired you to want to learn how to play or write music?
RONNIE: I learned how to play music just to pick up girls.
RICKY: I recorded a demo cassette at home with a childhood friend. We had no real instruments but we made a bunch of sequenced sounds and I was drawn to that. Then another friend and I wanted to start a band at age 13 as a social thing, so we bought drums and a guitar and began to play.
ROOKIE: It seemed easy enough.


Do you remember who first introduced you to punk music?
RONNIE: I was fooling around in the neighborhood one day as a kid; I found a duffel bag full of beer, porn and some Screeching Weasel cassette tapes. The rest is history.
RICKY: My friends and I stumbled on it together at the end of Jr. High School. My dad bought Ramones Mania right after Joey Ramone died, that’s how I got into the Ramones.
ROOKIE: My Dad grew up in Rockaway Beach, so The Ramones were always on in the house growing up.


You guys released a split 7” with Austria’s Dee Cracks last year on Swamp Cabbage Records. Tell me a bit about the song “Cuidado”. Was it inspired by firsthand experience?
RONNIE: “Cuidado” is inspired from a true story involving me, the US border patrol and one fine Mexican mamacita. I can't go into much detail as legal issues are still pending.


I don’t hear any politics or heavy social issues in your lyrics. Is this a conscience decision? What do you guys’ think of MRR and the punk rock political correctness police?
RONNIE: I wouldn't be able to tell you who or what is going on politically in the world.
People just write about what's on their minds. For me, pizza and other stupid shit is always on mine.
RICKY: We’re unaffiliated with MRR and the punk rock police.
ROOKIE: Politics are dumb.


When you guys aren’t playing or listening to music, what will people typically find you doing?
RONNIE: When I'm not playing music I'm usually at the beach, cracking a cold one. I also like old Nintendo games.
RICKY: Working a job and hanging out with my girlfriend. I'm easy to please. You can find me playing Game Boy and drinking beers while she watches some television show about snobby housewives or families with 38 children.
ROOKIE: You can find me watching whatever baseball game is on or picking my nose, sometimes both.


There is documented evidence that the U.S. Government has used Van Halen and Skinny Puppy to torment prisoners. If you were in charge of selecting the music to use to torture people what songs would you use? Give me your top five.
RONNIE: If you turn on top 40 radio right now for about an hour you'll hear the same 5 songs about 30 times. So, that seems pretty torturous to me. Is torturous a word?
RICKY: Allman Brothers, Grateful Dead, Lynyrd Skynyrd, Jimi Hendrix, Aerosmith.
ROOKIE: Nirvana, Sublime, Pink Floyd, Bob Marley and Led Zeppelin.


I read that out of all the art forms, music has the power to change a person’s mood the fastest. Do you agree with this? If so, are there any records you put on that will almost always ease you out of a bad day?
RONNIE: Nothing beats putting an original Ramones record on a turntable; much like prescription narcotics, its mind altering.
RICKY: Tie-dying T-shirts always does the trick for me.
ROOKIE: I only listen to the McRackins, what mood am I in?


Can you tell me about the most memorable New Rochelles gig, good or bad, and what made it so?
RONNIE: Every New Rochelles gig was a blur. I think one time we played with Green Day?
RICKY: We played a Halloween show as the Ramones a few years back. There was a great crowd and it ruled.
ROOKIE: I think one time we got through an entire set.


Where can people go to hear or buy your music?
RONNIE: Ask Rookie about where to buy our music, I seriously couldn't even tell you. Do we even have stuff for sale?
RICKY: I’m sure they’ll figure it out.
ROOKIE: You can hear/buy our music including our debut 7-inch “It’s New!” and our split 7-inch with DeeCracks “The Smile Of The Tiger” at https://www.facebook.com/thenewrochelles or http://thenewrochelles1.bandcamp.com/. Coming soon our split 7-inch with Windowsill on Swamp Cabbage and Lost Youth Records and our complete discography “It’s New, Too!” on Kid Tested Records.


What lies in the near future for The New Rochelles?
RONNIE: Who knows what the future holds for The New Rochelles. I don't even know what I'm doing tomorrow.
RICKY: It's a secret.
ROOKIE: More debt, more dependency, more fun.


Thursday, July 10, 2014

Record Reviews!

Atlantic Thrills – A Day at The Beach 7” (Almost Ready Records)
According to the bands bio, this Providence, RI band can play anything from full blown nuclear mushroom cloud garage punk to fun in the sun drenched surf ditties; let this record stand as exhibit “A” as evidence to why the above statement is 100% truthful. The A side, “A Day at The Beach” is the perfect soundtrack to a warm day on the sand, dancing, frolicking about and even playing volleyball with an oversized beach ball. The B Side, “Hold Your Tongue,” is a 1960’s garage Rock N’ Roll stomp-o-rama similar to The Monk’s song “Complication.” Atlantic Thrills effortlessly deliver the goods . . . and then some! – Jay Castro


Ausmuteants – Amusements LP (Goner Records)
Dusty Australian synth-punk band of apocalyptic doomsayers Ausmutants bring us songs pieced together with duct tape, scrap metal and ultra melodic hooks all wrapped in shell casings of bleakness and urgency. Ausmutants immediately remind me of contemporary bands like Miscalculations and Sex Crime with hints of bands from the way back machine like Screamers. This long player delivers songs that are short, sharp, and dark. Ausmutants aren’t a carbon copy of the above-mentioned bands make no mistake about that. They push and shove their way right to the top of their game and stand side by side next to the genera’s best. – Jay Castro


The Reigning Sound – Live at Goner Records LP (Goner Records)
This record was recorded June 26th, 2005 and was originally available only as a limited edition CD, until now that is! If any of you aren’t familiar with The Reigning Sound, I have but one question: WHY NOT? Greg and the boys deliver some brilliantly melodic, well-crafted punk Rock N’ Roll tunes that ooze warmth, charm and style that is nearly unsurpassed by any of their contemporaries. This record is as good a place to start listening to this band as any. The sound quality is excellent plus you get a sample of the oomph that Reigning Sound brings to the stage. In the land of Rock N’ Roll, The Reigning Sound is giants among men. – Jay Castro


Hard Girls – A Thousand Surfaces LP (Asian Man Records)
The San Jose, CA power trio’s second album has songs that are tightly packed with their unique brand of melodic, intelligent ferocity. To me, the qualities I hear in this band are similar to the ones I love in bands like Jawbreaker, J Church and Superchunk. A swirling blurred force of guitars and drums whisking quickly and violently around you with honest vocals that serve as the anchor to keep everything from getting too out of control. On the band’s Facebook profile they list “havin’ fun” and “gettin’ over depression” as some of their interests. Thankfully we have bands like Hard Girls that makes those things easier for the rest of us to get through! – Jay Castro


Stalins of Sound – Tank Tracks LP (Slovenly Recordings)
Stalins of Sound hurl dark and damaged punk rock that rides a black sound tidal wave of synthesizers and anxiety. The name of the band and the cover photo of the record, that shows a tank on a busy freeway mowing down motorists, pretty much sums up their music. These San Diego residents deliver the soundtrack to the harsh reality of when (not if) the machines finally take over and humanity’s days are numbered. The human race resists their extinction agenda however, and a rag tag crew of cold, calculating militant types band together and fight back. The Stalins of Sound are geared up for the first strike against the enemy stronghold. – Jay Castro


Wavelengths – S/T LP (Rubber Brother Records)
Wavelengths summon up the fun, lighthearted spirits of the 1960’s and manage to funnel them into your speakers and into your uptight cranium. Enjoyable tunes of loose psychedelic, kick back lounge and garage splatter about. I am certain this record has been specifically written to raise your good time mood to a near uncontrollable level. Never taking themselves too seriously, which is a good thing with song titles like “Take It Sleazy,” and at the same time deliver some straight rock right outta the garage with songs like “I Don’t Wanna.” Wavelengths keep the rock rollicking throughout the album’s duration. – Jay Castro


Los Puchos – S/T Cassette EP (Rubber Brother Records)
Jordan of Petty Things along with his brother formed the heart of this now defunct Tempe, AZ band. “Puchos” is what the Argentineans refer to as cigarettes, in case anyone is wondering. This cassette reels out some easy going summer lazy tunes that remind me what it would be like to take the mule ride down the Grand Canyon: fun, moving, spiritual, but by no means in any hurry. In my opinion, the standout tracks are “Victoria” which blends what the Puchos do best plus add some garage rock stomp and strut. The other being “Joanne” which reminds me of something Van Morrison could have written. When all is said and done, Los Puchos graced us with an absolutely solid release, a shame that the band called it a day. – Jay Castro


Durban Poison – Thunderwolf Cassette (Shake! Records)
The Thunderwolf is a mythological creature that seems to exist in different cultures. To the Japanese, the creature is a white wolf wrapped in blue lightening and is said to be pretty calm and harmless except when there is a thunderstorm then it becomes agitated and leaps all around in trees and rooftops scorching all it touches. This same reaction also comes from listening to Durban Poison brand of high-octane music. The Victoria B.C band of ladies and gentlemen shoot bolts of melodic, aggressive punk Rock N’ Roll out of their fingertips that causes one’s soul to stir. Like the Thunderwolf creature this cassette will leave scorch marks on your tape player no matter what the weather condition. – Jay Castro


Primitive Hearts – High and Tight LP, (Resurrection Records/FDH Records/P-Trash Records) & S/T 7” EP (Resurrection Records/No Rules! Records)
These records came out last year but they just recently arrived at the drawbridge of the Audio Ammunition secret mountain castle/fortress. We played them (a lot) and loved ‘em so we want to share the experience with you, our friends. Just because they came out a year ago doesn’t make them any less relevant by any means. Primitive Hearts play a kind of pop punk/power pop hybrid that not a lot of bands have been able to pull off: The Yum Yums, The Basement Brats, and The Parasites are just a few that come to mind at the moment. They sing about loves won and lost, the good times of yesterday and the ones that are yet to be had. Primitive hearts are the band you put on when your best lady stomped on your heart and when you’re getting psyched for the big Saturday night. – Jay Castro


Cat Party – A Thousand Shades of Gray 7” EP (Resurrection Records)
This band is a current band from California, but sounds like they came from England in the late 1970’s and early 1980’s marching with the likes of The Cure, Echo and The Bunnymen and Joy Division. Although they share a dark romanticism with the above-mentioned bands, Cat Party put a bit more velocity behind it. Unlike a lot of bands that share the same influences, when you listen to Cat Party their music doesn’t just make you want to listen to the originals, their music makes you want to listen to more Cat Party: melodic, melancholy with just a hint of late 1970’s punk bubbling beneath the surface to keep things moving. Me being a huge fan of this type of music (yes, I’m a lover not a fighter) I cry brilliance! – Jay Castro


Honey Badgers – Buena Park LP (Resurrection Records)
California’s Honey Badgers bring forth a brand of catchy, fun, ferocious, Billy Childish influenced garage Rock N’ Roll to us in matching black suits and skinny ties. This album is a bi-polar rollercoaster ride of emotion; from playful little ditties like the song “Funky C” to full swing garage mayhem demonstrated in the songs “Bumstick” and “Bone Zone” where you can almost feel the lead singer screaming at you two inches away from your face. The band does employ keyboards, and it is utilized in some songs way more than in others, but it doesn’t by any means take away from the 1960’s garage kick that this record was meant to be an homage to. I think the forefathers would be proud. – Jay Castro




The Shrills – Melt Down LP, Pink Hotel Cassette EP, Ghoul Kids Cassette EP (Resurrection Records)
The Shrills fire away cannon blasts of lo-fi, trashy Rock N’ Roll chaos with slathers of 1950’s rockabilly and doo-wop incased in bombshells of 1960’s garage pandemonium. Imagine if Flat Duo Jets and Supercharger came together in a remote part of the universe like some sort of unstoppable Rock N’ Roll Voltron robot but instead of a sword is armed with a keyboard. Now it heads towards earth on a strict mission to rid the world of all that is dull and tedious in contemporary music. This gives you some idea of what I’m trying to keep from exploding my speakers for the last few days. All three of these releases contain the same high proof mixture with little to no let up! – Jay Castro


V/A – No Rules! No Fun Compilation LP (No Rules Records)
Holy Smokes, this is one of the best comp records I’ve heard from beginning to end in a really long time. It’s as if they had Audio Ammunition in mind when the fab folks over at No Rules concocted it. The fun starts off with Oakland’s Top Ten and their cover of The Real Kids “Hit You Hard” sung with female vocals, which adds a new twist to an already killer song. The record keeps up the pace with some of my already favorites like Youthbitch, Primitive Hearts, Mean Jeans, and Chemicals just to name a few. Bands I discovered on here that I now love are Piss Test, Huff Stuff, and Perfect Look. If you’re a fan of fun pop punk that’s high on the melodic side and bursting with energy, then you owe it to yourself to get this record NOW! – Jay Castro


The Shanghais – Pretty Mean 7” (No Rules Records)
The parade of fantastic releases just keeps coming from the lads at No Rules Records this time with this EP by these Oakland, California girls (and boy) The Shanghai’s! What we got here is (and I wanna add that’s it’s not nearly enough) some cat claw catchy, pop punk with thick buzz saw guitars and furious drum bashing accompanied by melodic female vocals and on occasion some doo wop-y backing vocals. The production on the record is just minimal enough to give the songs that edge and abrasion that music of this sort needs yet isn’t so lo-fi that it blocks the melodies from beaming through. I look forward to living in a world with a band like The Shanghai’s walking amongst us and making music. – Jay Castro


Sex Scheme – S/T 7” EP (Puppet Combo Records)
Brooklyn, New York’s Sex Scheme scruffily thrust at you some brutally blown out, lo-fi, broken blues, with harmonica and all. Supposedly the band spent 60 dollars recording this record. Not that it matters; hundreds of thousands of dollars are spent to produce absolute rubbish. When playing this record however, be warned that the humidity level of the room suddenly rises to the levels that are unmatched by the southern states of the union in the middle of the summer months, the room you’re in suddenly has dirty maroon shag carpeting and the paintings on the wall turn into velvet renditions of what they once were. Turned up, sleazy out, and fuming all around: this is the order of the day for the band Sex Scheme and they execute this order quite well. – Jay Castro

These record reviews were originally published on Audio Ammunition on July 10th, 2014


Station Model Violence - S/T LP Review

A week ago, I knew absolutely nothing about Station Model Violence, zero, zip. However, it's bands like this that are the reason I start...